Li Fan’s New Topographics series preserves his signature visual temperament: calm, restrained, honoring the site as it exists.

Sculptures stand beside tall towers; red lanterns hang by adobe walls; blank signs dot the wilderness; derelict arches stand silently amid dead trees.

Human traces are not ornaments to the landscape but integral to the plateau scene. Ancient remains, modern constructions and primeval mountains converge and intermingle across the Pamir frontier.